Add another haughty evocation of the virtues of traditional rote education to the list. This one, while not completely silly, sports most of the tropes, unexamined assumptions, educational "theories" and elitist euphemisms common to its genre.
As usual, the credulous reader is left wondering how western civ has managed not to crumble into a new dark age (people who write these pieces inevitably have a 19th century, Edward Gibbon-style moralist's understanding of history), for the article leaves you with an image of a small cadre of civilized citizens (you can spot them cause they are able to quote Shelley) awash in a tide of "inner-city", linguistically disabled thugs.
Not to have certain works of art in your mental inventory—Macbeth, for example, or “Ozymandias” or Psalm 23—is to be shut out, to some degree, from the community of civilized conversation.
Am I the only one who finds this an odd definition of "civilized"?
His discussion of inner-city (read: black) kids' linguistic abilities is typically ignorant of all the research done in the last so many years (at least since William Labov's famous article on the once-fashionable Cultural Deficit theory of education, "Academic Ignorance and Black Intelligence", which is unfortunately no longer available online*). He implicitly assumes that someone who says "Where you at?" instead of "Where are you?" can only be speaking in this fashion because they don't know any better. He also pulls that by now familiar trick of blaming black kids' lack of achievement on the lack of rote memorization instead of, say, dismally funded schools, etc.
Although there are benefits to learning canonical literature, and even to memorizing it, it's also good to eat your vegetables. His claims for rote memorization are grossly overstated. But I do think he is right to stress that aesthetic experience in general has great cognitive benefits. This only makes sense when you consider that the bulk of what makes an aesthetic experience is itself cognitive. Comprehending a reasonably complicated work of art or literature is a kind of pleasant mental acrobatics on a formal level. The classics are classics in part because they are very good for this, but to a large extent this is true of all art.
*I'll email the text to anyone who wants to see it.
Posted by Alan Hogue at August 11, 2004 02:10 PMNitpick: I know what you're getting at, but isn't it a bit odd to put Gibbon in a 19th Century context?
I agree that the overall tone of the piece is pompous and overstated, but I wish I'd been given some rote memorization of poetry at school. Considering how much worthless pop junk I carry around in my head, it would be nice to think that the effort had been put into something more productive. Anyway, I'll probably experiment with this a little on my son when he gets older; that should give him one more reason to dislike me.
Posted by: Alan Allport at August 11, 2004 03:08 PMThere I go again getting my dates mixed up. Thanks for the catch, although in my defense I did say "Edward Gibbon-style" which, though inelegant, does let me off the hook just a little?
When I was growing up I used to memorize poems and whole episodes of The Prisoner (yes, it's true, I could recite "The Chimes of Big Ben", as well as about five other episodes, in their entirety). I think it improves a person's memory and mental concentration somewhat. If my kid had the temperament for it I would certainly encourage it.
Posted by: Alan Hogue at August 11, 2004 03:30 PMI memorized Tom Lehrer's "The Elements" for a school variety show around 1983 and have been making myself unpopular with it ever since, so the rote stuff isn't necessarily all that.
It often does seem to happen that a City Journal "fellow" will proceed by conflating dissimilar strands of thought and pretending that they can't be separated. We've got several questions getting jammed together here, and a civilized analysis would separate them:
- Does it advance learning to memorize things by rote?
- Will kids memorize valuable prose or poetry that they like on their own if not required to do so in school?
- Are "inner-city kids" different in this regard? (...and how different does this fellow think "inner-city kids" are from kids in general?)
- What constitutes valuable prose or poetry?
- What ought Kids Today to memorize?
- Do things memorized under coercion have the same value as things memorized by choice?
BTW you'll recall it was George Orwell's opinion that Greek grammar could not be learned without corporal punishment. Perhaps City Journal would like to give that theory a whirl next week. It'd be quite in their line.
After that it'll be the benefits of the skimpy porridge-and-gruel diet for slimming down overweight "inner-city kids"... pass the partridges, would you, Jeeves?
Posted by: Martha Bridegam at August 11, 2004 07:36 PMWhat most sticks in my craw about such articles is that they proudly marshal highly notional theories from other elitists while ignoring any actual research that might complicate their argument. Is this the fruit of a classical education, that you think you can prove educational theories through rhetoric and good punctuation?
And he uses that classic debating move, "B is actually more A than A is, because..." It's getting to the point I groan every time I run across that one. In fact, I've seen it somewhere else lately, but I can't remember where.
Now that's going to bother me all day.
Posted by: Alan Hogue at August 12, 2004 10:02 AMAlan, I think that for a lot of these "scholars", their research is limited to what is available on the net.
Posted by: stumpy at August 14, 2004 01:09 PMI think Stumpy's got it right: if those folks were as much scholars as they are propagandists, they wouldn't stoop to phony methods of argument.
I've recommended the "Fallacious Appeals" section of the SJSU Critical Thinking workbook before but it's just so concisely useful as an aid to shit-detection. I think I'm gonna go make sure it's on my weblog now.
Posted by: Martha Bridegam at August 14, 2004 04:54 PMYou could, of course, make the argument that knowing all the words to a pop song - or Lehrer's Elements, or a musical - *is* rote learning and a good exercise of memory. The problem is it isn't learning what a particular cultural group believes to be worthy.
(the only thing I learn by rote was a Shakespeare speech when I was 11 - I can still recite it over 20 years later)
Posted by: Mags at August 15, 2004 03:55 AMThat's a good point, and one surely intentional consequence of the author conflating several distinct claims. Classic dirty debating tactic; then when an objection is brought you can switch to whichever claim is most useful to you.
You can also turn the tactic around, which results in the good old slippery slope: if you don't think classical lit is essential you are coddling criminals. Etc., etc.
David Horowitz does this (and also the B more A than A) all the time, and he used to be regular at the NY Times.
But all that stuff seems to work often enough or presumably it wouldn't be so popular.
The Skeptic's Dictionary is also a useful reference.
Posted by: Alan Hogue at August 15, 2004 11:30 AMI was partly thinking of kids I've heard reciting rap lyrics -- sometimes including political ideas -- at great length. I wonder in part whether the Manhattan Institute wants to advocate memorization in general or only the memorization of words it finds improving.
Dunno about that Skeptic's Dictionary -- I took a look at the A's and it was sneering at acupuncture. True, there may be exaggerated claims made for specific types of acupuncture, but it's a part of the rigorous and widely trusted discipline of Chinese medicine and hardly belongs in the same bin as alien abduction hooey.
Posted by: Martha Bridegam at August 15, 2004 12:40 PMThe Skeptic's Dictionary takes the scientific view of the world to a new level of austerity. Still, I would rather have something like acupuncture included, which although many claim it to be efficacious in some cases, is also indisputably a practice liable to quackery.
Don't know whether you read that entry or not, but it looks to me like a pretty fair introduction to the subject. The author criticizes its defenders as committing the "Pragmatic Fallacy", which seems to be a particularly controversial fallacy. But as I understand it, the "It works, it must be true" argument is currently the only available to defenders of acupuncture. Is that incorrect?
I find myself sometimes disagreeing with the site, but I don't consider that a bad thing. It's consistent with its principles and you know you will always get the best argument against anything unscientific, which I consider to be a useful service.
Posted by: Alan Hogue at August 15, 2004 12:58 PM