August 16, 2004

Historical Fiction and History

Today, Erin O'Connor has a wonderful entry on historical fiction, and its use as an instrument for exploring real history. This obviously has its perils, but I've found that often a fictional backdrop is better than nothing for connecting with a place. My own experience of wandering around London this summer was like that -- the Monument conjured up images from Neal Stephenson; and the London Stone brought back Geoffrey of Monmouth.

In the past, I've only really had this type of connection through genealogy. Much bad history is written by genealogists, but genealogy does provide a person with characters to follow. Great Men haven't been in fashion for decades, but their passing robbed readers of individuals to experience history alongside. Genealogy provides an alternate cast of characters, less at the center of events, but more representative because they are rarely "Great". O'Connor's tracking down the experience of her distant ancestors through historical fiction, so I imagine that she's getting a double-whammy.

Posted by Ben Brumfield at August 16, 2004 07:31 AM
Comments

Another way of reintroducing the human element back into history without all the baggage of Great Men can be found in e.g. the work of Natalie Zemon Davis and Carlo Ginzberg, in which they observe ordinary life through the prism of one unusual case study. Robert Darnton's The Great Cat Massacre attempted something similar, although its method was more controversial. The German school of Alltagsgeschichte, literally 'history of everyday life', has become very fashionable since the 1980s, and is certainly a pleasant relief from the asphyxiating grand narratives of Foucault and Co.

Posted by: Alan Allport at August 16, 2004 09:08 AM

Hey, last I heard there was still some controversy over whether to dump Gregory of Tours into the fiction bin.

Posted by: Alan Hogue at August 16, 2004 10:11 AM

I've so far managed to find the 'everyday life' sort of history fairly boring, I must admit. I tried rifling through The Cheese and the Worms once but it really just read like another day on Telegraph Avenue here in Berkeley, where everyone's got a crazy theory and would love to tell you about it. I should give it another try, though.

Posted by: Alan Hogue at August 16, 2004 10:16 AM

...Then again, it's high drama compared to the long article I just finished on the late Roman tax system. People spend their whole lives studying these things, go figure.

Posted by: Alan Hogue at August 16, 2004 10:18 AM

Doggone it -- I meant Gregory of Monmouth! And I wouldn't dump all of HRB as fiction, just mainly the Troy bits. I'll go edit the entry.

Never actually gotten my hands on a cheap enough copy of History of the Franks to read it. Any good?

Posted by: Ben Brumfield at August 16, 2004 10:30 AM

Gregory -> Geoffrey. Sigh.

Posted by: Ben Brumfield at August 16, 2004 10:33 AM

Yeah! The History of the Franks is awesome. It's probably my favorite medieval chronicle of all time, so to speak. But beware, if you aren't stout of heart you should not feel bad about skipping the first long bit where he starts with creation and brings us up to date. That part gets really dry unless you are into that sort of thing. This is the translation I have and it's only $11. Although if you want the Latin that will cost you.

Apart from the incredibly bizarre folklore that Gregory credulously recounts at every turn (in between stories of Frankish thugs braining each other) his prose style is really interesting and, in my opinion, refreshingly simple--paratactic to the point almost of being hypnotic.

Posted by: Alan Hogue at August 16, 2004 10:40 AM

Alan, if you didn't care for Cheese and Worms then you might want to try The Night Battles. This chronicles the way that a folk legend about white witchcraft became transformed under Inquisitorial pressure into a series of confessions about devil-worship, although the inquisitors themselves come across as rather fastidious and sniffy.

Posted by: Alan Allport at August 16, 2004 11:10 AM

That sounds good. I'll keep that on my list. I might get to work with someone who specializes in medieval supernatural beliefs so that couldn't hurt.

Posted by: Alan Hogue at August 16, 2004 01:01 PM

Actually the Orwell thing with me was always a kind of genealogy, in the sense of tracing back antecedents. I've managed to stay awake through a lot of otherwise doughy Victorian/Edwardian literature (e.g. Maugham) by hunting proto-Orwell themes and phrases. Maybe this is a defect in my particular approach to literature -- a good chunk of which is basically forensic, not artistic -- but it's a defect that others seemingly share.

So to generalize my question, isn't tracing influences on a contemporary figure another way to bring personality into history?

Then there's the George Packer approach in *Blood of the Liberals*, which is basically a history of certain 20th-century U.S. political ideas as personalized through his father and maternal grandfather. It's a nice hybrid of literal and political genealogy. Can't think of any other books like that right now, tho.

(Sorry if this is a little disjointed. Got a bad cold today.)

Posted by: Martha Bridegam at August 21, 2004 08:29 PM